Sometimes, when we still live at 110 Rivington Street, and I am already in my footed pajamas, on
a week day evening after dinner, I see Zayde walk over to the glass cabinet in
the living-dining room and choose one tall, leather- bound book from a row of
others, all of which look exactly alike. Then he retrieves his rectangular
magnifying glass, an eight by four inch object that he uses when he reads. A knock at the door. Of course, one of the rabbi friends.
Soon the two men chose one corner of the dining room table, as
tucked away as they can be in this apartment that has no private spaces except
the back bedrooms. They open the book. It is not only taller, but wider and
heavier than an ordinary book. Its leather spine is cracked and dry so it
easily flattens onto the table. In a loud mumble, something like a chant, they
read together and pour and hunch over the book, sometimes pausing to talk to
each other in Yiddish. Around them the business of the household goes on as
usual - Bubbie in the kitchen, maybe my mother helping her, maybe my mother
reading to me on the couch across from where the two men are engrossed in the pages of the text.
Old men reading old books, is how I define this scene then. An
interpretation I breathe in from
the air of my parents' attitude. It is not an activity my mother or father
would engage in during their evenings or encourage me to do; they were proud to
be modern people. "I did not
want religious," said my mother about looking for a boyfriend. Not that
she or my father looked down on Zayde for spending his evening with an
antiquated book and an antiquated friend. Not at all. If anything, they admired
the piety, the diligence, admired it but wouldn't want it for themselves. It
was a remnant of the old country on its way out.
This was perhaps a decade before Tevye the Dairyman in Fiddler On The Roof gave old world religious activities a poignant
dignity when he sings, "If I were a rich man. . . . I' d discuss the holy
books with the learned men seven hours every day. That would be the sweetest
gift of all."
Many years later, long after I graduate Hebrew School, decades
after I am Bat Mitzvah, - perhaps when I see Fiddler for the first time on film and afterward burst into sobs,
despite my sophisticated understanding of the extreme poverty and ignorance
which dominated the real villages of Eastern Europe, but probably even later when in
Jewish adult education it finally occurs to me that the two men must have been
studying Talmud. Only then do I learn that studying, disputing and elaborating on Talmud
is at the heart of Rabbinic Judaism as it was practiced for almost two
thousand years, and is still practiced by the Orthodox and Hasidim. It is only
then that I recall this scene and am touched by having several times been a
witness to a working man at the end of a long day choosing sacred text study as a pleasurable leisure activity.
About Talmud I have now read several books, mostly written by women trying to imagine women's lives in the pre-modern era. Also the touching
and informative The Talmud and the Internet by Jonathan Rosen. On my bookshelf are several volumes of what
you might call Talmud for Dummies. They
are aspirational. I have never actually opened one. I keep thinking someday I
will.
What I understand about the act of study for its own sake is
that it placed Zayde, or any student of the text, in dialogue and connection
with the many who came before. A
few of us - two Rosenfelds and at least one Abramowitz - continue to turn to
the Talmud as a way to be rooted in both the past and the present. Most of us puzzle
out how to live without the benefit of links to tradition. Yet when one appears,
we grab onto it. Perhaps the most
popular of these is Fiddler On The Roof.
For all the sentimentality in the musical, for all that we know life was much
more desperate than it is portrayed on stage or in the film, still it connects
us in love to those who came before us. Those whose lives might have been irredeemably erased,
otherwise. This connection is a small ballast when daily life gets, as it often
does, too complicated. In the spirit of small ballast I also write this blog. In
this spirit perhaps you read it.
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